I first picked up fly fishing as a teenager, and I vividly remember the confusion. With time, I learned to cast the weight of the line rather than the weight of the lure, but I didn’t know what to do with the line after the cast. Sure, I learned about mending, but that never seemed to solve the problems at hand. Enter, tight lining concepts . . .
In short, turnover gives us freedom to choose what happens with the line that’s tethered to the fly. How does the tippet and leader land? With contact or with slack? And where does it land? In the seam and partnered with the fly, or in an adjacent current? By having mastery of turnover, we dictate the positioning of not just the fly, but the leader itself. And nothing could be more important . . .
Trout love the plop of a terrestrial — sometimes. But we catch even more by setting the fly up for a dead drift after the plop. It’s not easy, but it makes all the difference . . .
Learning to use the natural curve that’s present in every cast produces better drag free drifts than does a straight line.
It takes proficiency on both the forehand and backhand.
I’ve seen some anglers resist casting backhand, just because it’s uncomfortable at first. But, by avoiding the backhand, half of the delivery options are gone. So, open up the angles, understand the natural curve and get better drag free drifts on the dry fly . . .
. . .The flow of the fly line through the air is finesse and freedom. Contrasted with nymphing, streamer fishing, or any other method that adds weight to the system, casting the weightless dry fly with a fly line is poetry.
The cast is unaffected because the small soft hackle on a twelve-inch tether simply isn’t heavy enough to steal any provided slack from the dry. It’s an elegant addition that keeps the art of dry fly fishing intact . . .
When fishing dries, the cautious angler has many chances to fool a rising trout. Start behind the trout at the back door. Next move over and try the side door, beside the trout. Then try going right down the middle and through the front door.
Making consecutive casts with a dry fly produces often enough to believe that the next cast will seal the deal. But there’s a lot more to it . . .
For many years, I never much considered casting dry flies on a Mono Rig as a viable option. I enjoyed the art of casting a dry with a traditional fly line. And if you asked me about dries on a long leader system back then, I’d shake my head and tell you something about using the right tool for the job. But in the last few years, much of that has changed. And now, I suggest that a long Mono Rig is, in fact, the right tool for the job — sometimes.
There’s a time and place for everything. And fishing dry flies on the Mono Rig has become one of my favorite ways to approach trout, not just because it’s a convenient and quick variation when swapping over from a tight line nymphing rig, but because it is stunningly effective . . .
It’s the effectiveness of a nymphing rig and the excitement of a dry fly rig, with boosted catch rates.
In this four part series covering dry dropper styles, I’ve saved the best for last.
I prefer methods that lend excellent control to the angler. And tight line rigs, with direct contact as the primary feature, are built for just that. Add a dry fly to the rig and tight line dry dropper is the best of all possible worlds . . .
Casting styles change with the water. The same stroke that lays a dry line with perfect s-curves in a soft flat is useless in pocket water. As the river picks up speed, so must our casting. Effective drifts are shorter, so we cast more. Mixed surface currents greedily pull our built-in slack over to the next seam. So our casting matches the currents. It’s more aggressive. Faster.
But fishing rough or mixed currents doesn’t mean we give up on a good dead drift. And the best stroke for the job is one that I call the Crash Cast . . .
A backcast loop unfolds, parallel to the rolling current. The tapered fly line straightens and joins the rod tip on its forward path. It punches through the wet air with a second loop — a horseshoe arc with all the power and energy needed to drive a bushy Royal Wulff to the target.
The rod tip stops above that target — in vertical alignment with the mark, but well above the water’s surface. Tip stops high. Leader shoots out and releases its power. Fly reaches the end of the line. Then the rod tip drops. The line recoils in s-curves as the dropping rod pushes more depth into those bends and arcs.
Fly lands and drifts. Fish eats. Perfection.
That’s the stop and drop. And this simple move is the key to good dead drifts with a dry fly. Let’s look at it closer . . .
Dry flies were my first love.
I don’t believe I ever bought an extruded, knotless leader back then. I tied my own leaders from the beginning, with blood knots and nippers under the bright bulb of my tying desk. Only later did I learn how critical the Harvey leader design was to my early success.
Because, for dry fly fishing, nothing is more important than the leader . . .