“Your first job is to find some accuracy. You’ll see the fly every time, once you can hit your targets.” I nodded at the fly again. “There’s enough visibility built into that fly that you can find it quickly, as long as the fly lands where you’re looking . . .”
We mend to prevent tension on the dry fly or the indicator. All flies could drift drag free in the current if not for tension from the attached leader. So it’s our job to eliminate or at least limit that tension on the tippet and to the fly.
This Hop Mend is an arch. It’s a steep and quick half-oval. It’s a fast motion up, over and down with the fly rod. It’s powerful and swift, but not overdone . . .
One of the greatest attractions to fly fishing can also present one of the biggest barriers. It’s the bugs.
Understanding everything we can about these bugs and how trout respond to them is a big piece of the puzzle that we’re trying to solve out there. And sometimes, it’s the keystone. Because at certain times, the bug life of a river is the central player in a trout’s daily life . . .
Fly casting differs from spin casing in a few key ways, and here’s one one of them: You need both a forehand and a backhand cast to achieve effective presentations. Trying to fit a forehand cast on the backhand side is a bad habit that causes problems and limits what is possible on the water. While there’s plenty of room for personal style in fly fishing, this is not one of those places.
As you can see in the video, there are multiple reasons for developing both the forehand and backhand casting stroke. Being equally comfortable with both sides opens the doors to every angle necessary on the river . . .
I first picked up fly fishing as a teenager, and I vividly remember the confusion. With time, I learned to cast the weight of the line rather than the weight of the lure, but I didn’t know what to do with the line after the cast. Sure, I learned about mending, but that never seemed to solve the problems at hand. Enter, tight lining concepts . . .
In short, turnover gives us freedom to choose what happens with the line that’s tethered to the fly. How does the tippet and leader land? With contact or with slack? And where does it land? In the seam and partnered with the fly, or in an adjacent current? By having mastery of turnover, we dictate the positioning of not just the fly, but the leader itself. And nothing could be more important . . .
Learning to use the natural curve that’s present in every cast produces better drag free drifts than does a straight line.
It takes proficiency on both the forehand and backhand.
I’ve seen some anglers resist casting backhand, just because it’s uncomfortable at first. But, by avoiding the backhand, half of the delivery options are gone. So, open up the angles, understand the natural curve and get better drag free drifts on the dry fly . . .
. . .The flow of the fly line through the air is finesse and freedom. Contrasted with nymphing, streamer fishing, or any other method that adds weight to the system, casting the weightless dry fly with a fly line is poetry.
The cast is unaffected because the small soft hackle on a twelve-inch tether simply isn’t heavy enough to steal any provided slack from the dry. It’s an elegant addition that keeps the art of dry fly fishing intact . . .
The pre-cast is a simple motion that lifts some (or all) of the fly line off the water and gets the leader moving. It’s an elegant solution to a common problem.
When the dry fly drift is over, simply activate the line and get it moving before starting the backcast. The motion of the pre-cast pickup breaks the hold of surface tension. And that’s the key. Once the surface lets go of the line, it is easily lifted off the water with minimal disturbance . . .